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PRODUCT INFORMATION
Street Date 10/17/23
All pre-orders will be shipped as soon as they are in stock. Sometimes this is 1-2 weeks early, sometimes this might be a few days after the street date.
If other in-stock items are ordered at the same time, all items will ship together. If you want your in-stock items shipped immediately, please place pre-orders separately.
All dates, artwork and features are subject to change.
Pre-orders will be charged when you place the order.
No cancellations on pre-orders.
The world is a carnival of criminality, corruption, and psychosexual strangeness in the twisted pre-Code shockers of Tod Browning. Early Hollywood’s edgiest auteur, Browning drew on his experiences as a circus performer to create subversive pulp entertainments set amid the world of traveling sideshows, which, with their air of the exotic and the disreputable, provided a pungent backdrop for his sordid tales of outcasts, cons, villains, and vagabonds. Bringing together two of his defining works (The Unknown and Freaks) and a long-unavailable rarity (The Mystic), this cabinet of pre-Code curiosities reveals a master of the morbid whose ability to unsettle is matched only by his daring compassion for society’s most downtrodden.
FEATURES:
New 2K digital restoration of Freaks, with uncompressed monaural soundtrack
New 2K digital reconstruction and restoration of The Unknown by the George Eastman Museum, with a new score by composer Philip Carli
New 2K digital restoration of The Mystic, with a new score by composer Dean Hurley
Audio commentaries on Freaks and The Unknown and an introduction to The Mystic by film scholar David J. Skal
New interview with author Megan Abbott about director Tod Browning and pre-Code horror
Archival documentary on Freaks
Reading of “Spurs,” the short story by Tod Robbins on which Freaks is based
Prologue to Freaks, which was added to the film in 1947
Program on the alternate endings to Freaks
Video gallery of portraits from Freaks
English subtitles for the deaf and hard of hearing
PLUS: An essay by film critic Farran Smith Nehme
All pre-orders will be shipped as soon as they are in stock. Sometimes this is 1-2 weeks early, sometimes this might be a few days after the street date.
If other in-stock items are ordered at the same time, all items will ship together. If you want your in-stock items shipped immediately, please place pre-orders separately.
All dates, artwork and features are subject to change.
Pre-orders will be charged when you place the order.
No cancellations on pre-orders.
The world is a carnival of criminality, corruption, and psychosexual strangeness in the twisted pre-Code shockers of Tod Browning. Early Hollywood’s edgiest auteur, Browning drew on his experiences as a circus performer to create subversive pulp entertainments set amid the world of traveling sideshows, which, with their air of the exotic and the disreputable, provided a pungent backdrop for his sordid tales of outcasts, cons, villains, and vagabonds. Bringing together two of his defining works (The Unknown and Freaks) and a long-unavailable rarity (The Mystic), this cabinet of pre-Code curiosities reveals a master of the morbid whose ability to unsettle is matched only by his daring compassion for society’s most downtrodden.
FEATURES:
New 2K digital restoration of Freaks, with uncompressed monaural soundtrack
New 2K digital reconstruction and restoration of The Unknown by the George Eastman Museum, with a new score by composer Philip Carli
New 2K digital restoration of The Mystic, with a new score by composer Dean Hurley
Audio commentaries on Freaks and The Unknown and an introduction to The Mystic by film scholar David J. Skal
New interview with author Megan Abbott about director Tod Browning and pre-Code horror
Archival documentary on Freaks
Reading of “Spurs,” the short story by Tod Robbins on which Freaks is based
Prologue to Freaks, which was added to the film in 1947
Program on the alternate endings to Freaks
Video gallery of portraits from Freaks
English subtitles for the deaf and hard of hearing
PLUS: An essay by film critic Farran Smith Nehme