PRODUCT INFORMATION
This boldly cinematic trio of stories about love and loss, from Krzysztof Kieślowski, was a defining event of the art-house boom of the 1990s. The films are named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but that hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red (Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by Juliette Binoche, Julie Delpy, Irène Jacob, and Jean-Louis Trintignant, Kieślowski’s Three Colors is a benchmark of contemporary cinema.
Three Colors: Blue
Juliette Binoche gives a tour de force performance as Julie, a woman reeling from the tragic death of her husband and young daughter, in this first film from Krzysztof Kieślowski’s Three Colors trilogy. But Blue is more than just a blistering study of grief; it’s also a tale of liberation, as Julie attempts to free herself from the past while confronting truths about the life of her late husband, a composer. Shot in sapphire tones by Sławomir Idziak and set to an extraordinary operatic score by Zbigniew Preisner, Blue is an overwhelming sensory experience.
Three Colors: White
The most playful and also the grittiest film of Krzysztof Kieślowski’s Three Colors trilogy, White follows the adventures of Karol Karol (Zbigniew Zamachowski), a Polish immigrant living in France. The hapless hairdresser opts to leave Paris for his native Warsaw when his wife (Julie Delpy) sues him for divorce (her reason: their marriage was never consummated) and then frames him for arson after setting her own salon ablaze. The film, which goes on to chronicle Karol Karol’s elaborate revenge plot, manages to be both a ticklish dark comedy about the economic inequalities of Eastern and Western Europe and a sublime reverie on twisted love.
Three Colors: Red
An incandescent meditation on fate and chance, Red closes Krzysztof Kieślowski’s Three Colors trilogy in grand fashion. Irène Jacob stars as a sweet-souled yet somber runway model in Geneva whose life dramatically intersects with that of a bitter retired judge, played by Jean‑Louis Trintignant. Meanwhile, just down the street, a seemingly unrelated story of jealousy and betrayal unfolds. Red is an intimate look at forged connections and a splendid final statement from a remarkable filmmaker at the height of his powers.
FEATURES:
4K UHD and Blu-ray: New 4K digital restorations, with 5.1 surround DTS-HD Master Audio soundtracks; Blu-ray-only edition: High-definition digital restorations, with 2.0 DTS-HD Master Audio soundtracks; DVD: High-definition digital restorations
In the 4K UHD edition: One 4K UHD disc of each film presented in Dolby Vision HDR and one Blu-ray of each film with special features
Three cinema lessons with director Krzysztof Kieślowski
Interviews with cowriter Krzysztof Piesiewicz, composer Zbigniew Preisner, and actors Julie Delpy, Irène Jacob, and Zbigniew Zamachowski
Selected-scene commentary featuring actor Juliette Binoche
Video essays by film critics Annette Insdorf, Tony Rayns, and Dennis Lim
Documentary from 1995 featuring Kieślowski
Three short films by Kieślowski—The Tram (1966), Seven Women of Different Ages (1978), and Talking Heads (1980)—plus the short film The Face (1966), starring Kieślowski
Interview programs on Kieślowski’s life and work, featuring Binoche, Insdorf, Jacob, film critic Geoff Andrew, filmmaker Agnieszka Holland, cinematographer Sławomir Idziak, producer Marin Karmitz, and editor Jacques Witta
Behind-the-scenes programs for White and Red, and a short documentary on Red’s world premiere
Trailers
PLUS: Essays by film critics Colin MacCabe, Nick James, Stuart Klawans, and Georgina Evans; an excerpt from Kieślowski on Kieślowski; and reprinted interviews with cinematographers Idziak, Edward Kłosiński, and Piotr Sobociński
Shipping
No, we only ship inside the US
Most orders for in-stock items take less than 24 hours to ship (may take longer if you place an order over the weekend). Pre-orders are shipped as soon as the product arrives. International pre-orders may not come in before the street date. This is especially true with Australian pre-orders.
We only use USPS for all shipments. If there is an issue after your order ships you will need to contact your local post office.
Product
All items that come with a slipcover will say so in the product page.
Pre-orders will not say WITH SLIPCOVER until the product comes in.
Slipcovers are not guaranteed to be in mint condition.
If you can order it, it's either in stock or a pre-order. If an item is out of stock you will not be able to add it to your cart. It's rare but our inventory may not be correct. So in some cases an item may have to be shipped separately.
Other
We do not sell bootlegs. All product arrives from the distributor or is directly from the filmmakers. All items are new and sealed. Some indie titles or signed editions may not have shrinkwrap.