SHATTER (REGION FREE/B IMPORT - LIMITED EDITION) 4K UHD/BLU-RAY [PRE-ORDER]

ALL IMPORT PRE-ORDERS WILL NOW HAVE A 10% TARIFF CHARGE AT CHECKOUT. IF THE TARIFFS GO AWAY BEFORE THE TITLE RELEASES, ALL TARIFF FEES WILL BE REFUNDED ONCE THE PRODUCT ARRIVES. SORRY FOR THE ISSUES WITH IMPORTS RIGHT NOW. WE ARE HOPING THESE EXTRA TAXES ARE ELIMINATED SOON.

Street Date 5/12/25

All pre-orders will be shipped as soon as they are in stock. Sometimes this is 1-2 weeks early, sometimes this might be a few days after the street date.

If other in-stock items are ordered at the same time, all items will ship together. If you want your in-stock items shipped immediately, please place pre-orders separately.

All dates, artwork and features are subject to change.

Pre-orders will be charged when you place the order.

No cancellations on pre-orders.

Hollywood hard man Stuart Whitman and powerhouse martial artist Ti Lung star in this brutal crime thriller filmed entirely on location in Hong Kong by Hammer and the Shaw Brothers. Guest-starring Peter Cushing and sporting a funky soundtrack from Johnny Dankworth's key collaborator David Lindup, Shatter is featured here as a brand-new-4K restoration from original film elements in its original theatrical aspect ratio.

Professional contract killer Shatter is double-crossed on his latest job and finds himself pursued across Hong Kong, a pawn in the game of his client's violent political agenda.

FEATURES:
New commentary with academic and Asian cinema expert Leon Hunt and film historian and writer Adrian Smith
New commentary with Heidi Honeycutt, writer, filmmaker and film programmer, and western/crime movie expert Toby Roan
1998 commentary with uncredited director Monte Hellman and contributions from Stuart Whitman
Once Upon a Time in the East: Screenwriter and author David Pirie and Little Shoppe of Horrors’ Dick Klemensen examine the state of Hammer in the 1970s and the numerous issues encountered filming Shatter in Hong Kong
Hammer and Tongs: archive interview with Renée Glynne, in charge of continuity on many Hammers, as she reflects on Hong Kong and the various issues that plagued Shatter’s production
Cultural Crossover: Historian and film critic Christina Newland and academic/martial arts cinema expert Wayne Wong examine Shatter’s place in the wider context of 1970s action/crime films and Asian martial arts cinema
Hitting the Right Notes: Musician Mike Lindup reflects on his father, composer David Lindup, and his body of work which covered film soundtracks, library music and arrangements and orchestrations for musicians like Johnny Dankworth
Censored: A comparison of the new, uncensored restoration and the censored master that was previously in circulation for decades
A gallery of stills and publicity material alongside tracks from David Lindup’s score