RoboCop, from Orion Pictures, marked Flesh + Blood director Paul Verhoeven's Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back). The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop - a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above. Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back on 4K in a restored Director's Cut, packed with hours of brand new bonus features.
4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
Director’s Cut and Theatrical Cut of the film on two 4K (2160p) UHD Blu-ray discs with Dolby Vision (HDR10 compatible)
Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options on both cuts
Optional English subtitles for the deaf and hard of hearing on both cuts
44-page Limited Edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth
DISC 1: DIRECTOR’S CUT
Commentary by Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
Commentary by film historian Paul M. Sammon
Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
The Future of Law Enforcement: Creating RoboCop, interview with co-writer Michael Miner
RoboTalk, conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of The Prodigy)
Truth of Character, interview with star Nancy Allen
Casting Old Detroit, interview with casting director Julie Selzer on how the film’s cast was assembled
Connecting the Shots, interview with second unit director and Verhoeven collaborator Mark Goldblatt
Analog, featurette on the special photographic effects, with interviews with Peter Kuran and Kevin Kutchaver
More Man Than Machine: Composing RoboCop, tribute to composer Basil Poledouris with film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
RoboProps, tour of super-fan Julien Dumont’s collection of original props and memorabilia
2012 Q&A with the Filmmakers, panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
Paul Verhoeven Easter Egg
Four deleted scenes
The Boardroom: Storyboard with Commentary by Phil Tippett
Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)
Theatrical trailers and TV spots
DISC 2: THEATRICAL CUT
Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical cut of the film)
Isolated Score tracks (Composer’s Original Score and Final Theatrical Mix)
Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
Split screen comparisons between the Director’s Cut and Theatrical Cut, and the Theatrical Cut and edited-for-TV version
RoboCop: Edited for Television, compilation of alternate scenes from two edited-for-television versions, with outtakes newly transferred in HD from recently unearthed 35mm elements
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